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INTRODUCTION TO HUMANITIES

Need an analysis of from one of these following themes;

Classical Period:
Sappho [Like the very gods] ca. 7th century B.C.E. (poetry)
Plato, Apology, ca. 399 B.C.E. (philosophy)
Hadrian, Pantheon, ca. 118-125 C.E. (architecture)
Phidias, Athena Parthenos, ca. 438 B.C.E. (model of the lost original sculpture)

Renaissance:
William Shakespeare, Sonnet 116, Let me not to the marriage of true minds admit impediments, 1609 (poetry)
Christopher Marlowe, The Passionate Shepherd to His Love, ca. 1599 (poetry)
Sandro Botticelli, Primavera, ca.1470, (tempera on panel)
Michelangelo, Piet, 1498-1499 (sculpture)
Josquin des Prez, Mille Regretz (French Chanson), c. 1521
Thomas Weelkes, Sing We at Pleasure (English madrigal), c. 1598

Enlightenment:
Jonathan Swift, A Modest Proposal 1729 (satirical essay)
Mary Wollstonecraft, Excerpt from Chapter 9 from A Vindication of the Rights of Woman 1792 (essay)

NeoClassical:
Angelica Kauffmann, Cornelia Pointing to her Children as Her Treasures, 1785, oil on canvas
Jacques-Louis David, Oath of the Horatii, 1784, oil on canvas

Classical Music:
W. A. Mozart, Piano Concerto No. 20 in D Minor, K. 466 – “Romanze” (second movement), 1785
Joseph Haydn, Symphony No. 94 Surprise Symphony (second movement), 1792

Romanticism:
John Keats, When I Have Fears That I May Cease to Be, 1818 (poem)
Harriet Jacobs, Chapter 1 from Incidents in the Life of a Slave Girl, 1861 (autobiography)
Thodore Gricault, The Raft of the Medusa, c. 1819, oil on canvas
Francisco de Goya, Saturn Devouring His Son, 1820-1823 (mural transferred to canvas)
Franz Liszt, Hungarian Rhapsody No. 2, 1847
Beethoven, Piano Concerto no. 5 in E flat major, Op. 73 (Emperor Concerto), 1809-1811

Realism:
Guy de Maupassant, The Necklace, 1884 (short story).
Kate Chopin, Dsires Baby 1893 (short story)
Rosa Bonheur, The Horse Fair, 1852-1855, oil on canvas
Henry Ossawa Tanner, The Banjo Lesson, 1893, oil on canvas
Scott Joplin, Maple Leaf Rag, 1899 (piano musical composition)
Claude Debussy, Clair de lune (from the Suite Bergamasque), 1905, orchestral (originally a piano suite)

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