this is an Individual Theatre Report, It should about 1800-2000 words. the report must be written by yourself.
topic and requirements:
%u0432%u0402%u045AWhat is theatre and what can, or should, it be?%u0432%u0402%u045C This is the weighty question you must tackle in a report for this course. Your report should contain, and will be evaluated upon, the following components and criteria:
Part 1. Personal Statement%u0432%u0402%u201Dapproximately 800- 1000 words
A concise and polished explanation of what role theatre has in your life and describes your ideal theatre experience.
Taking into account your experiences in this class and out, what does theatre mean to you?
How has your understanding or appreciation of the art form changed over time?
Describe the most impactful aesthetic experience you have had with theatre.
Reference artists and/or concepts we have discussed in class.
Part 2. List of Five Interview Questions for a theatre artist/company.
Spend some time researching cont
1. What is art? Explain what you think makes a work of art "art."
Provide an example of something that is art, according to your
understanding, and an example of something that is not art, as well. Be
sure to explain why these examples do and don't meet your criterion,
respectively.
2. Take the work you used as an example of art in
#1. Perform a thorough descriptive criticism of that artwork. Include
every aspect that you believe is important to understanding the work.
3.
Using the same work you used in #1 and #2, perform an interpretive
criticism of the work. Explain what you think it means and why you think
so. Be sure to provide specific evidence and reasons to back up your
interpretation.
4. Finally, continuing to use the same work
you've used in the first three tasks, perform an evaluative criticism of
the work. Explain what you think is good or bad about the work and why
you think so. And provide an overall assessment of the work's q
I WOULD LIKE FOR YOU TO WRITE A DETAILED COMPARISON AND CONTRAST FULLY TELLING OF WHAT YOU SEE WITHIN THE COMPOSITIONS, TELLING THE MESSAGE OF WHAT THE ARTIST WAS TRYING TO CONVEY (FORMAL ANALYSIS). THEN PROCEED TO PROVIDE WHAT THE TIME PERIOD OF THE ART MIGHT HAVE DONE IN THE FACTORS OF INFLUENCE TOWARD THE COMPOSITIONS (CONTEXTUAL ANALYSIS). PROVIDE SUPPORT AND SOURCES TO WHAT YOU FEEL IS GOING ON. SHARE WHAT OTHER SCHOLARS HAVE SAID ABOUT THE PAINTINGS AND AT THE END PROVIDE FOR ME A SYNOPSIS OF YOUR COMPARISON AND CONTRAST HAS CONCLUDED BETWIXT THE TWO WORKS.
Question: How important is it to take a stand against the increasing normalisation of cosmetic surgery in late capitalism?
Theoretical Reading:
Heyes, Cressida (2007) �Somaesthetics for the Normalized Body�. In Self transformations: Foucault, ethics, and normalized bodies Oxford; New York: Oxford University Press, HQ1190 .H494 2007
NOTES:
Choose one theoritcal source and build the essay answer from there.
In your essay, you must summarise the choosen theoritical major source.
The suggested length of the summary of theoritical reading is approximately 400 words. Another way to look at it the summary is that this reading is your major source, or one of your major sources.
The summary of the theoritical major reading should be crafted in such a way that it facilitates your overall response to the essay question. This means that I don't mind if you 'break up' or distribute the summary throughout the essay. However I also don't mind if you want to pursue a more conv
Develop an Art Journal (a visual diary) The requirements are written in the attached file. I have also attached my sketches and drawings of my artwork in another file. Please help me to writing in first person (like I am the one who describe my ideas and drawings). For each of the pieces of the image please help me expand my ideas. Teacher want me to write why I get the idea and the advantages and disadvantages of the design. He also want me to write my point of view on each of them. Thank you.
*I need about 4~5 pages draft paper by anytime before Oct 25th 9:00AM*
HISTORY OF INDUSTRIAL DESIGN
History of Art & Design Fall semester, 2016
HD361/1, 2 credits
Final Paper Deadlines
Week 10 (Oct. 25): Draft papers due
Week 14 (Nov. 22): Final papers due
Interrogate an Object
The final paper for this course will require each student to research and write a history of a
designed object. You may choose to expand on your typology from the museum project in
written format or you can propose another object of interest from design history. Using concepts
from our readings, discussion, lectures, and beyond, investigate that object within its broader
social and cultural context.
Use both primary and secondary sources to research the ways in which your subject matter was
affected by the culture from which it came. Ask yourself the following questions to help situate
your subject historically:
Understand the Object.
Collect images of your object.
Describe the basics of th
Assignment Requirements
Purpose - to research and examine works of selected contemporary arts practitioners in a Pacific context. Required to write a 1500 word, illustrated comparative essay. Needs to apply critical thinking to an investigation of art, culture and society in New Zealand and/or the Pacific region. Research includes a traditional taonga and customary practice. Term 1 provides a firm basis for the investigation of a contemporary artist and their work. (Mine was Michel Tuffery - taonga was tatau). Essay question: Is the work of contemporary Maori and Pacific art founded in tradition? Discuss with reference to specific works by an artist. Examine the artists materials, methods and themes. What cultural and social issues are being explored by the artists? Discuss the similarities and differences between customary and contemporary art practice. Essay is to presented as an illustrated essay. Support ideas with relevant quotes by the artists and brief excerpts from cri
Assignment Requirements
Assessment is by one assignment, a critical essay of 6000 words (100%) which integrates theory and practice.
The assignment must include a clear structure with abstract, bibliography, appendices, and diagrammatic representation where appropriate. You must make appropriate use of journal articles, research papers and texts.
The assignment should contain:
Culture and Innovation in Organisations
1. A critical review of theories of the nature of organisational culture, including how it may impact on innovation, and how it may be affected by the leaders of an organisation
2. An examination of how culture influences behaviours related to innovation and change in an organisation of your choice
3. A recommendation as to strategies and actions that could be implemented (by you or by the organisation’s leaders) to enhance or create an appropriate culture
Pedagogical aim and expectations:
To show the strengths and weaknesses of both your understanding so tha
Assignment Requirements
• Discuss the characteristics and basic ideas of three art movements of the 20th century that have broken traditional boundaries. Analyze one work of art for each movement. Discuss each example thoroughly, its visual characteristics and meaning and how it reflects the movement. Use examples listed on Course Outline from Fauvism to present.
• 2 pages in length.
Instructions: Your essay should begin with an introduction and end with a conclusion. Select examples that best reflect the thesis of your essay. Select examples listed on your Course Outline from Fauvism to the present.
- Discuss the characteristics and basic ideas of three art movements of the 20th century that have broken traditional boundaries. Analyze one work of art for each movement. Discuss each example thoroughly, its visual characteristics and meaning and how it reflects the movement. Use examples listed on Course Outline from Fauvism to present.
- 2pages
Assignment Requirements
The images below correspond to the first letter of your last name. Please find and examine your sculpture. After looking at it closely, answer the questions below and submit your work as a word processed document using the hyperlink provided.
Question 1: How was your sculpture created (I want you to read about the processes that create sculptures, so describe to me how the artist must have created this)?
Question 2: Does your sculpture have any type of texture (a tricky question with sculptures, be careful - you have both actual and implied texture)?
Question 3: Is there any iconography in your sculpture (are there any clues that would lead you to understand what this sculpture is 'about')? What are you 'reading' in this sculpture, ie, what do you think is going on or what is the artist trying to say?
Question 4: Where, specifically, is the positive and negative space of your sculpture?
Question 5: Is your work of art representational, abstract or